Inspired by the events of Walt Disney Production’s film which hit cinemas a few months earlier, the Tron arcade game is regarded as a classic title amongst today’s collectors.
The poster advertising the cinematic release of Disney’s TronThe cabinet itself is a spectacular sight, featuring special backlighting designed to mimic the stunning visual effects found in the film itself. It is worth pointing out that whilst the movie was regarded as something of a flop, the arcade game actually out-grossed the film’s box office performance, generating an estimated $45,000,000 in revenue by the end of 1983.
Tron’s unique cabinet design and artwork stood out in arcadesNot many arcade titles up to that point were franchised releases, so handling such a delicate IP required nerves of steel – getting the gameplay right would be vital to Midway’s relationship with the mighty Disney corporation. Indeed, looking at the complexity of the film’s production, this was to be an ambitious title for Midway to take on. But take it on they did.
The company decided to ask two teams to “pitch” for how the game should look and play, and instructed in-house designers Bill Adams and George Gomez, and external consultants Dave Nutting Associates (responsible for Gorf amongst other things) to both come up with a proposal for the game.
Doesn’t get more eighties than this picture! George Gomez, who had a Significant hand in the design and creation of Midway’s Tron arcade game. Note the date on the calendar on the wall: July 1982. This was taken literally days following the release of the gameThe two proposed designs were quite different: The Nutting idea was based around a 3D vector title, whilst the in-house plan was a raster game based on a series of mini games. Given the time pressures that Midway were under to get the title released, and the potential perceived complexities of the vector titles, the in-house raster idea was given the green light.
Little has been known about the development process, until a former employee of Bally/Midway discovered several documents in 2001 that shed some light on how the game came to be. He states:
[INDENT]I came across some documents that were destined for eventual destruction. One group of files in particular belonged to a middle manager at Bally, and this is where I found some copies of the original Tron design documents dating back to 1981.
[/INDENT]What he shared was the proposal document drawn up by Adams and Gomez, along with some other interesting correspondence between Disney, Dave Nutting and Midway. It makes for interesting reading.
The Adams/Gomez proposal called for a series of Mini Games all taking place within the Tron universe. These are outlined as:
Rings – this was to be a duel between the characters Tron and Sark, where discs were thrown by the player towards Sark. Ultimately due to time constraints and the belief that the idea was strong enough to stand alone, this proposal would be released as a separate game called Discs Of Tron.
Paranoia – here the player builds a bridge of spiders to reach an island on the opposite side of the screen. This mini game was dropped from the final version of Tron (but sounds like a nice idea on paper).
Tank Pursuit – the player drives tank around a top-down maze, shooting enemy tanks. Think Atari’s Tank meets Armor Attack!
Space Spores – here, the player has to blast a path through spores that grow and hamper progress to an exit.
I/O Tower – the player tries to reach an energy socket while avoiding ‘electrifying blue warriors’
Light Cycles – similar to Snake/Nibbler, the player drives a cycle that leaves a trail. The strategy is to block in and destroy enemy cycles whilst avoiding crashing.
You can view and read the full original document below. If you’re familiar with Tron, you should recognise gameplay elements from this proposal document and see what was ultimately included in the final game and what was not.
Tron Game ProposalDownload
Particularly interesting is another document which appears to be a letter sent by Dave Nutting to to Dave Marofske at Midway, following a meeting regarding the design of the game that Nutting was invited to. Some interesting subtle politics are obvious if you read between the lines.
Midway’s Tron marquee. Great artwork that take cues from the look and feel of the original movieHaving had his proposal rejected, Nutting presumably was asked to join this early planning meeting and share his thoughts on the successful pitch (which of course wasn’t his!) afterwards. Dated December 1981, Nutting had the following to say:
[INDENT]Dear Dave,
I came away from Monday’s Tron meeting with some concerns for which I have given some thought.
First, I was impressed with the Tron presentation. Bill and George obviously spent a great deal of thought and energy developing their game concepts. I see emerging a real spark of creative energy.
My concerns lie in the area of too many ideas and many unknowns. Unless these areas are addressed immediately, to commit for a Tron delivery of 1 April is courting disaster.
Dave Nutting in a letter to Midway’s Dave Morofske[/INDENT]Nutting’s concerns are spelled out further in his letter (again, view below). Was there a touch of sour grapes here? We will never know! However, given that the final game only housed four mini games during each round, it seems that the development team did heed the concerns of an overly-complex proposal, which we can only guess came to the fore due to the four month development period that Midway had set itself.
Dave Nutting LetterDownload
Tron of course ended up being somewhat watered down from these initial ideas. At the start of each level, the player is taken to a “Game Grid” selection screen divided into four quadrants. The player must choose a quadrant, each of which corresponds to a different sub-game. The four mini games that made the final Tron cut were:
I/O Tower:
Destroy the Grid Bugs and escape into the I/O Tower before the timer runs out. The stick controls the movement of your character and the spinner controls the direction of fire.MCP Cone:
Destroy the blocks similar to Atari’s Breakout and move your character into the cone to clear the level. A bonus is awarded if you destroy all the blocks. The stick controls the movement of your character and the spinner controls the direction of fire.Light Cycles:
The player controls a Light Cycle that leaves a blue trail. The joystick controls the direction of travel and the trigger controls the speed of the bike. The object is force the enemy Light Cycles yellow to run into each other or the trails while avoiding crashing.Battle Tanks:
Destroy all enemy tanks or Recognizers to clear the level. The stick controls the movement of your tank and the spinner controls the direction of fire.For completeness, here’s another couple of memos – one internal at Midway following an early meeting with Disney (that even Steven Lisberger, the writer, creator and director of the Tron movie attended), and then another from Disney to Midway who share a selection of slides, story boards and other clarifications about look and feel; presumably to help Gomez and team design the game as agreed.
Tron Disney CorrespondenceDownload
Interesting stuff. Despite the early concerns and clear pressure to create a game from scratch based around a Disney franchise, Midway got its game out and the final package was pretty spectacular, leveraging design elements from the movie:
Here’s a decent cabinet and gameplay review with Todd at TNT Amusements:
As mentioned earlier, one of the mini game ideas referenced in ‘Rings’ would ultimately be developed as a second game in the franchise, Discs Of Tron. In my view, the ‘environmental’ version of this cabinet is one of the most spectacular of the Golden Age arcade releases.
Check out this review of the cabinet and gameplay here:
So there you have it – super cool to be able to pull back the curtain and read some of the back and forth during the early development process. Hope you enjoyed this insight into the development of Midway’s Tron.
See you next time.
Tony
Email Address:
Subscribe
More...